Review of: Hot Hausfrau

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About Jill Alexander Essbaum Jill Alexander Essbaum is the author of several collections of poetry and her work has appeared in The Best American Poetry, as well as its sister anthology, The Best American Erotic Poems, Present.

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I made it half-way through. I cannot even justify how I got that far. There are many references to trains in the story and I kept feeling like the whole thing was a train wreck that had already happened.

View all 17 comments. Apr 07, Carol rated it it was ok Shelves: contemporary , fiction , read , library-overdrive. Anyway, I was pretty much bored with the whole shebang until about three quarters 2.

Could have passed this one by. View all 28 comments. The title could have been 'The Glass Castle'. That's how American expat Anna Benz insulated and isolated herself from her new life in Switzerland.

She observed everything around her but never participated in the new life she and Bruno created for their nuclear family of five.

Anna and Bruno had three children and lived a comfortable life with Bruno the banker providing for her and the children. She was a stay-at-home mom.

The German efficiency and disciplined society, even the trains are exactly The title could have been 'The Glass Castle'. The German efficiency and disciplined society, even the trains are exactly on time, prevented her for the past nine years to assimilate into the new culture and language.

She felt totally disconnected and out of her own depth. Her apathy or emotional arrest with life in general could have started when her parents were killed in an accident when she was 22 and left her bereft of any support system in her own mother country.

Her life before her marriage is never discussed in her therapy sessions. Her feelings of apathy and disconnection could also have been caused by post natal depression.

Three children in a row without any emotional support system, was not a good idea, especially since she did not really wanted to have children.

Like many other things in her life, it just happened. It was not considered in the therapy sessions, perhaps it would have complicated the plot :- She couldn't drive a car; don't really like cooking, and had no other passions to pull her into a healthier frame of mind.

Her mother-in-law was an independent, emotionally distant shadow figure, moving in and out of her life on a daily basis to take care of the children in Anna's absences.

She felt unneeded, unimportant, incompetent and, well useless. She was also unable to provide emotional support to her three children. Did not understand her husband who did not spend time with her but loved his children.

She expected people around her to unknowingly nurture her feelings of loneliness and emotional desolation, instead of becoming their soft place to fall.

She just couldn't do it. She was emotionally unavailable to people around her. She tried to be understood, on her own terms, but never tried to understand the people in her immediate circle.

She took, but did not give. She was desperate. Anna was in an abusive relationship with herself. Through psychotherapy and German lessons, she tried to connect with people, making unwillingly friends, and becoming part of the new dispensation, but chose alternative solutions instead.

She was unable to be honest with her therapist and consequently with herself. She chose to become friends with other expats and indulging in almost aggressive sexual relationships with men.

She chose the actions but avoided the consequences, never confronting her own choices. When she is finally confronted with her actions, the results were devastating.

She devoid herself of guidelines to navigate her new life. COMMENTS: I found this book dull on so many levels. I do think Anna the character was well portrayed as lifeless, like a living body functioning without a soul.

There was a lifelessness in the surroundings, the social parties, the train rides which she enjoyed and her interaction with everything around here.

Her rainbow turned grayscale. Filling up the book with lectures in the German language structure, psychotherapy sessions with Frau Doktor Messerli and long boring descriptions of the Swiss background, left me feeling robbed of valuable time, although it all fitted into the ongoing dialogue.

I do realize though that the factors can be very interesting to readers who would like to know more about Freud and Jung without studying their philosophies in sterile academical format.

However, the therapist's input was sometimes pathetic and did not make any sense in many instances. But she did read Anna correctly despite the lack of information from Anna's side.

First time in my life that I heard of a language with moods though! It fitted into Anna's frame of mind and added meaning to situations in her own life.

It became much more than the memorizing of new words. The plot also presented the nature of depression and the consequences it can have.

The erotic extravaganza became stale and bland. Sometimes vulgar. Alternatively, it could have established the desperation with which Anna tried to connect with people and created a feeling of revulsion in the reader for effect.

It worked very well. I often felt like : "Oh my word, here she goes again! It is not the best book I have ever read, did not have me excited about anything in it, did not get me emotionally involved, and basically did not speak to me.

Structurally it was very well planned and executed. But it was too formatically correct. Too technically perfect.

It did not rock my world. Nothing new was added to my knowledge or understanding of depression. However, the prose was beautiful.

Well, other readers might differ from me, but I constantly had the feeling that this character was a ME ME ME persona who lost the plot and meaning of life completely.

The best advise my mother ever gave me was when I got married and moved thousands of kilometers away from home and my own people.

She said I was moving into a totally different social environment, with totally different rules. The people won't change to fit into my view of the world, I will have to change to fit in with them.

For more than three hundred years they happily survived without me, they can happily do so for the next three hundred years as well.

It changed my life and attitude with the speed of lightning. The ME in me took a hike for the good of mankind and neighbors.

I was excited to try. My mother told me to be my own best friend for those moments when loneliness stepped in.

Anna made herself her worst enemy instead. Reading the book I thought about this advise and how it might have changed Anna's destiny.

She lost her compass. She lost her soul through her own choices. There was nobody to guide her into adulthood. It happens to so many people.

The results for her was just heartbreaking. She built herself a round glass castle with no corners in which she could hide from herself.

I wrote this comment below on Carmen's review, and thought I should actually add it to my review.

I added some thoughts to it. I thought Anna was passive aggressive - controlling her environment by being needy on purpose. She had to be driven around; her husband took care of their budget, her visas and permits and all other administration of the household; she was constantly late, inconsiderate and disrespectful of the people who were waiting for her; messed things up by lack of planning or discipline skills; her MIL took care of her children; her friends organized her parties, and even her childrens' birthday parties.

If they did not do it, her children would have lost out on good memories. She simply forced the people around her to take care of her. She was this emotionally arrested little girl in a grown up's body.

She was never a victim. She instigated everything. All the situations had only one common element, and that was her. She controlled it. So no, I did not think she was innocent.

She was a naughty teenager who could not face the responsibilities of the adult world. It was useful.

It made for relative peace at the house on Rosenweg. Allowing Bruno to make decisions on her behalf absolved her of responsibility.

She followed along. She rode a bus that someone else drove. And Bruno liked driving it. Order upon order.

Rule upon rule. Where the wind blew, she went. And like playing tennis or dancing a foxtrot, or speaking a foreign language, it grew even easier with practice.

If Anna suspected there was more to her pathology, then that was a secret she kept very close. Everybody had to take care of her instead. So no, Anna did not convince me of victimhood at all.

I rather thought she was selfish and way too egocentric. Even her final decision threw the ball back in the courts of her friends, family and husband.

They should be blamed. She was sick, yes, and had no other coping skills. That was tragic. I have no sympathy. Perhaps I should feel bad.

But no, I won't take responsibility for her choices. Yes, a perfect audience for this plot. There's a lot of hype around the book. You might want to try it.

To be honest, it just made me impatient since I probably come from a totally different angle than the author was hoping for, who knows. The prose was magic!

The concluding sentence was one of the most powerful ones I have read in a very long time. Absolutely brilliant! View all 15 comments.

Jan 13, Elyse Walters rated it it was amazing Shelves: netgalley. Anna Benz, main character of "Hausfrau", is a psychologically complex female character.

She does not drive, relying on public transportation or from her mother-in-law, who lives near by. Her husband Bruno is in the Banking bu Anna Benz, main character of "Hausfrau", is a psychologically complex female character.

Her husband Bruno is in the Banking business. Bruno is Swiss. Anna American. Anna is in analysis Doktor Messerli works with Anna to see her root problems.

During one of their early sessions, Doktor Messerli asks Anna: "When you were a girl, what did you want to be when you grew up?

She knew that wasn't what the doctor meant. The Doktor tried another approach. She didn't want to say. An astutely imagine story Be warned Its normal to 'feel' erotic sensations.

Reading about lustful-passionate-raw-intimate-sex between a man and a woman is bound to stimulate aspects of eros! With luminous, fluid prose, Jill Alexander Essbaum invites us into the world of Anna Benz whose soul is battered.

Erotic moments, because the sexual storytelling is hot , This is Anna's story and therein is the rub, the reader must feel something for Anna, identify with her or her circumstances in some way, and I never did.

She and how she handled or did not handle things, irritated me. I did feel sympathy for her at times, but it was for all the terrible things that happened to her, not her internal struggles.

But that was anot 2. But that was another issue for me, how many terrible, things could happen to one person. There is so little hope in this book and I found that depressing.

It was hard for me to care for am person who had so little care for herself. As for the ending, can we say view spoiler [ Anna Karenina. This was well written without a doubt and most of my friends here seemed to have loved it.

But, like I said your reaction to the book will depend on your reactions to Anna and her story.

They may be very different than mine. ARC from publisher. View all 25 comments. Aug 19, Carol rated it really liked it Shelves: debut , fiction.

The Sinker — Hausfrau is one of those books that causes passionate differences in opinion, you either love it or you hate it. There are many that will not agree with me but no apologies here.

Anna Benz, the mostly good wife, 4. Anna Benz, the mostly good wife, seemingly has it all, money, a good husband, and beautiful children.

An American, she finds herself out of her element when she and her husband, Bruno, a Swiss banker, transfer to Zurich. What possesses Anna to forsake the sanctity of her marriage by indulging in affairs?

These encounters are many, and more sexual in nature than any meeting of minds or thoughts of love. They are hard for us to fathom and most readers will find Anna very unlikable.

The sex is raw and naked and will turn some away. We are on the outside looking in on this exploration of a marriage and its shortcomings.

It takes two to make a marriage yet it is easy to put the blame on Anna. Why does anyone have an affair? Though I do not like what Anna does, there is only one thing I cannot forgive her and it is not the affairs.

Hausfrau is a perfect vehicle for book discussion. The moral dilemma it presents will leave its readers divided. Which side will you be on? Take the time to listen to this brief clip from NPR Hausfrau Strips Down Its Modern Day Madame Bovary.

In a bit over four minutes it explains a great deal. View all 14 comments. Shelves: own , read But it languished in a pile of books I didn't have space for, so I rediscovered this book in my collection last weekend.

The story is very unputdownable. The first line, "Anna was a good wife, mostly," hooked me in and I wanted to know more about her.

Anna married a Swiss man and is living an isolated life in Switzerland. She is depressed and isolated, partly because of Swiss standoffishness, partly because her entire life is her children and her inlaws, and she starts seeing an analyst who suggests language classes.

There is a long thread about how Swiss German is different than regular German, which I found interesting. She starts to have an affair with a man from her language class, but along the way you discover that this is not the first time.

I was pretty into the novel through these events. It gets a bit steamy. I was okay with the questionable choices and even the feeling that she was not improving her situation, just complicating it.

But then view spoiler [ it started to feel like a morality lesson. Because Anna is away from her children, one of them dies And this is also when I realized that this is Anna Karenina, retold.

I should have known with the name!! Listen, we all have different lines in the sand on morality. But where is the husband's responsibility in this?

If she had been there, what would have prevented her child from dying? And once her husband knows the truth, doesn't that present her with freedom rather than an ending?

Unlike many readers I do not dislike Anna. I felt great empathy for her and wish other characters had too. View all 3 comments. Apr 08, Jenna rated it it was ok Shelves: disliked , reading-challenge , unreliable-narrators.

What's more, it's the first genuinely surprising and somewhat affecting Thing That Happens up to that point.

The book then deteriorates back to its previous suckiness level. But since that didn't happen, we're left with an unnecessary book-length book that seems to exist primarily as an excuse to have An Ending.

The kind of overconfident ending that presupposes its audience will be overly smitten with it. At the root of the problem, and driving all the critiques that follow, is the fact that the book and the protagonist, Anna, both take themselves Sooooo Darrrrrrnnn Seeeeeeeriously, thereby sucking dry Alllll the fun and artistry and edge.

At the very outset, I thought it might be a black comedy. This had some potential. Alas, it did not happen. There's no better way to begin than to provide an example of just how heavy-handed the book is.

One of Anna's inept and bumbling lovers, each of which is a total goofy-accented SNL skit caricature only not funny , habitually uses at least one kind of technically-synonymous-but-wrong-in-context word in every English as a second language sentence he speaks.

It reads like this my own examples, but completely in line with the book : "Hallo, An-na. How are you touching today? Worse than this -- Anna's only native-English-speaking lover is a fire scientist or something, and therefore, Every.

Oh, the heavy-handedness. And when Anna herself talks -- things are no better. Especially when talking to any man, and pretty much apropos of nothing, Anna seems only capable of stringing together a series of pseudo-intellectual, pseudo-philosophical "existential questions.

Is fire neutral? Is blue neutral? Is neutral the same as passive? Is blue fire passive, or neutral?

Is death real? Is fire death? What color is death? I am really not even exaggerating that much. And no, she is not seven years old. And then, UGH - that brings us to the terrible, terrible character of Anna's Jungian analyst, Doktor Somethingorother, I blocked it out.

Every few pages throughout the novel, there is a excerpt from a supposed session with this horrible woman, whom I believe should probably be sued for malpractice.

Now, I have never had Jungian analysis, and I'm totally cool with the man Carl himself. But my god, now I will never, ever dare to subject myself to this kind of analysis in the event that it happens to be anything like the process described in this book.

Doktor whatever drones on interminably in the following vein -- here's a made-up but accurate example: "A bored woman is a dangerous woman.

An unhappy woman is a bored woman. An unhappy woman is a dangerous woman. A dangerous woman is a dangerous woman.

Appearances deceive, Anna. Appearances are dangerous, Anna. You are not what you appear, Anna. The soul is made of gold and darkness, Anna.

You must look inside, Anna. I worry for you, Anna. When will you tell me everything, Anna? And Anna's non-responses to all this are also provided in detail, lest we have somehow failed to grasp the idea that she does not participate actively in the business of her existence, which seems to be an erstwhile theme of the book.

Her responses are along these lines: "Oh," said Anna. Anna nodded. Anna nodded uncertainly. Anna wasn't sure.

Anna wasn't really listening. Anna had stopped listening. Anna said "I know. Scintillating, ay? But actually - reading detailed accounts of Anna's lack of participation in therapy is less annoying than reading the accounts of times she actually engages actively in her therapy -- specifically, when Anna reads from her dream journal.

Unfortunately for the reader, Anna takes to dream journaling with great vigor. This is pretty much her only hobby or interest, aside from sex, taking walks around her cul-de-sac at night, and sitting on her favorite park bench.

The problem is that just as her lovers are portrayed as SNL skit stereotypes, Anna's dreams come off as parodies of what Very Somber and Serious Dream Analysis Dreams are like.

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3 Kommentare zu „Hot Hausfrau

  • 23.05.2020 um 15:30
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    Ich meine, dass Sie den Fehler zulassen. Schreiben Sie mir in PM, wir werden umgehen.

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  • 28.05.2020 um 10:54
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    Entschuldigen Sie, dass ich Sie unterbreche, aber meiner Meinung nach ist dieses Thema schon nicht aktuell.

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